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Traditional Dress of Tempio Pausania

Province of Sassari — Gallura

Historical background and roots of tradition

Tempio Pausania, known in Gallurese as Tèmpiu, is the granite city that dominates the northern Gallura, in the province of Sassari. The name derives from the Latin templum, referring to an ancient pagan place of worship possibly dedicated to Hera; the medieval toponym Templo evolved into the modern Tempio, to which in 1879 the suffix Pausania was added to evoke the forgotten diocese of Phausania, a vanished settlement situated near Olbia. The traditional dress of Tempio is distinguished by its elegance and by the uniqueness of the faldetta cupaltata, the skirt that transforms into a headdress.

Women’s festive dress

On the head is worn a white square cotton scarf, folded into a triangle to gather the hair and tied at the nape of the neck. Framing the face is l’elu, the white square lace veil, pinned on one side. The most distinctive headdress is, however, the faldetta cupaltata: a genuine black panno skirt, fully pleated and finished with a brocade silk flounce, which can be worn normally over the legs or gathered and raised over the head as a mantle, covering the bust and head.

Lu gipponi, the black brocade silk jacket, is shaped with a central button fastening; the sleeves, slightly puffed, narrow towards the forearm and close with buttons. The faldetta, the black brocade silk skirt, is fully pleated except for the front panel.

Women’s daily dress

The everyday dress changes its colour palette and fabrics: on the head a red panno bonnet is worn together with a white cotton scarf (lu cenciu). The white cotton blouse is paired with lu curittu, the beige bodice in polychrome floral brocade, and lu jupponi, the red panno jacket. The skirt (faldetta) is also red in panno.

Men’s festive dress

La birritta, the black panno cap of tubular form with rounded edges, is about sixty centimetres long and is worn falling over one shoulder. La camisgia, the white cotton shirt, features embroidered collar and cuffs, with the fullness reduced by pleating; the cuffs are closed with gold buttons. Lu cansciu, the black panno waistcoat, is double-breasted and edged with velvet. Lu gabbanu, the short black orbace overcoat, is edged with black velvet.

The white cotton breeches reach mid-calf and are worn tucked into the gaiters. I raghi, the black orbace pleated short skirt, are edged with velvet and reach mid-thigh; a narrow strip of fabric joins the front and back sections, passing under the crotch of the breeches. I ghetti, the black panno gaiters, have a velvet fold at the top, cover the calf and end in a rounded shape partially concealing the shoes; they are fastened with a lace below the knee.

Men’s daily dress

The everyday dress keeps the basic structure: black panno cap, white cotton shirt, white breeches, black panno short skirt and black panno gaiters. The festive gabbanu is replaced by a red velvet jacket lined in blue cotton.

Main fabrics

Brocade silk, Panno, Orbace, Cotton, Lace, Velvet

Occasion

Religious festivals, everyday wear, folk parades

Events in Tempio Pausania

  • 29–31 August
    Saint Paul the Hermit View →

Traditional Dances of Tempio Pausania

Baddu Tundu

An ancient dance performed before any musical instrument existed: it was the base element of all festivities, whether held in the village squares or at the stazzi farmsteads. Singers stood at the centre; men and women alternating, holding hands with crossed arms, swayed lightly with lateral steps and brief pauses, marking the rhythm of the song.

Baddu a Passu

The accordion replaces the singers and draws the dancers into more choreographic variations, while the circle formation — “in the manner of the ormos” (the Greek necklace, as used by the Carthaginians) — is maintained. The circle was probably a symbol of unity and brotherhood, a propitiatory rite shared by the whole community.

Baddu a Passu of Tempio Pausania – YouTube video preview

Baddittu

The basic carola structure gains liveliness and fluency: the main variant is the breaking away of couples from the circle, who then perform arm-in-arm a series of skillful evolutions in harmony with all the other couples.

Baddittu of Tempio Pausania – YouTube video preview

Lu dui in tre

The name describes the rhythmic structure: three beats repeated continuously — two on the left foot and a third on the right, followed by a marked pause. The result is an interweaving of rapid footwork performed in a very tight space that highlights the dancers’ skill, with a geometric-line choreography.

Lu dui in tre of Tempio Pausania – YouTube video preview

La Danza

Performed in three base movements, its distinguishing feature is a rapid dansé: a swift intertwining of arms and bodies that always returns to the starting position. Passing and repassing under arms raised in an arch is the display of skill that couples offer to the audience.

La Danza of Tempio Pausania – YouTube video preview

Lu tre in cincu

Similar to lu dui in tre, it differs in being composed of five beats, making the footwork more complex and placing the dancers’ skill in even greater relief.

Passu trincatu

A rather springy dance, belonging to the tradition of dances originally accompanied by singing, and a characteristic expression of the Sardinian pastoral world.

Passu trincatu of Tempio Pausania – YouTube video preview

Baddu a trunfa (o Seriu)

A very measured dance performed to the sound of the trunfa (or scacciapensieri, the Jew’s harp), a small lamella instrument whose distinctive timbre lends the dance a particular charm unlike any other in the Gallurese tradition.